2D 3D Digital Animation

 IT6321A 2D 3D Digital Animation

Note: Updated 4/20/22

Match the order of the Animation production process
Step 1:	Gathering information
Step 2:	Concept & Script
Step 3:	Voiceover recording
Step 4:	Storyboard
Step 5:	Visual style
Step 6:	Animation
The 6 Thinking Scheme
important to communicate messages in different ways	WORDS
important to define focal point	PROPORTIONS
important to convey meaning through process of smiotics, denotation and cognitions	SIGNS, SYMBOLS
important to help the creative team to put into a harmony pattern the constitutive elements	SHAPES
important to drive or support an idea	IMAGES/ILLUSTRATIONS
important to make a powerful communication and to drive the attention	COLORS
Basic Drawing and Composition of basic elements   Exciting balance active, exciting, not boring	Dynamic Equilibriu
Basic Drawing and Composition of basic elements   used to block in the layout of the basic shapes in the composition. Best compared to a scribble drawing. Seeks to express motion and/or emotive qualities of the composition.	Gestural drawing
Basic Drawing and Composition of basic elements   An Italian word that means boldly contrasting light and dark. The technique of was developed during the Renaissance.	Chiraoscuro
is a self-contained defined area, either geometric or organic. Shape refers to a two-dimensional element with area on a plane, while form refers to a threedimensional element with volume in space.	Shape / Form
Seven Elements of Design   is the surface quality of a shape, or how it appears to feel: rough, smooth, spiky, soft, hard, and glossy, etc. Texture can be real or implied.	Texture
is the visible spectrum of radiation reflected from an object. Color is also sometimes referred to as hue.	Color
is a continuous mark made on a surface or the edge created when two shapes meet. May be actual, implied, vertical, horizontal, diagonal, and/or contour.	Seven Elements of Design
is the distance or area around or between elements in a work.	Space
The speed at which something moves gives a sense of what the object is, the weight of an object, and why it is moving. Something like an eye blink can be fast or slow. If it’s fast, a character will seem alert and awake	Timing
Even gross body movements when you walk somewhere tend not be perfectly straight. When a hand/arm reaches out to reach something, it tends to move	Arcs
For example, a bouncing ball tends to have a lot of ease in and out when at the top of its bounce. As it goes up, gravity affects it and slows down , then it starts its downward motion more and more rapidly	Ease In and Out (or Slow In and Out)
One of the 12 Principles of Animation :	Anticipation
It should be used in a careful and balanced manner, not arbitrarily. The result will be that the animation will seem more realistic and entertaining.	Exaggeration
This is a way of deforming an object such that it shows how rigid the object is. For example if a rubber ball bounces and hits the ground it will tend to flatten when it hits.	Squash and Stretch
But it is something that the character is doing/acting that adds a more realistic and natural feel to the animation. As mentioned, it must be staged so that the main action isn’t overpowered. It’s the kind of thing that is usually more subtle or can be felt more than noticed immediately	Secondary Action
For example, the animator draws the first frame of the animation, then draws the second, and so on until the sequence is complete. In this way, there is one drawing or image per frame that the animator has setup. This approach tends to yield a more creative and fresh look but can be difficult to time correctly and tweak.	Straight Ahead Action and Pose-To-Pose Action
It is a technique that manipulates an object physically so that it appears to move on its own. The object is moved in small steps between individually photographed frames, creating the illusion of movement when the series of frames are played in a fast sequence	STOP MOTION TECHNIQUE
The background and the characters are flat and can be filmed from only one side. Traditional drawing animation is done in a non-chronological way, developing first the main action, and filling it up with background images later on.	DRAWING ANIMATION
One of the Animation Techniques:	CUT-OUT ANIMATION:
type of stop-motion animation produced by moving twodimensional pieces of material, paper or cloth. The background has to be fixed to the table and everything on the background	THREE DIMENSIONAL PUPPET ANIMATION
Involves the use of real persons as stop motion characters. This allows a number of surreal effects, including the disappearance and reappearance of objects or characters, as well as allowing people to appear to slide across the ground and other effects.	PIXELATION
Basic Drawing and Composition of basic elements	Still life
The goal is draw or paint the objects as accurate to the still life as possible. Find relationships between objects.	Drawing from observation
The way you arrange or divide the space in your artwork. Do not have a lot of empty space in your art	Composition
Compressed burned wood used for drawing. Charcoal is so fast, direct and responsive, that it is amongst the least inhibiting media. It can produce bold and fluid lines, and a great host of textures	Charcoal
the extreme differences in values, colors, textures or other elements	Contrast
refers to how light or dark an object, area, or element is, independent of its color. Value is also sometimes referred to as tone.	Value
you can select alternating faces on a mesh through a select command in edit mode	True
you can make a Face of ODD numbered vertext group	True
All Faces have vertex and edges	True
The shortcut for  Move is G Rotate is R and Scale is S	True
Blender 3D is a Cross platform Application that can run accross all OS	True
Match theBasic Blender Modeling Modes
Supports basic operations such as object creation, joining objects, managing shape keys, UV/color layers. The default mode, available for all object types, as it is dedicated to Object data-block editing (e.g. position, rotation, size).	Object Mode
Used for the majority of mesh editing operations	Edit Mode
Instead of dealing with individual mesh elements, support sculpting with brushes (not covered in this chapter).	Sculpt Mode
The most elementary part of a mesh which is a single point or position in 3D space and are represented in the 3D Viewport in Edit Mode as small dots.	Vertices
always connects two vertices by a straight line. These are the “wires” you see when you look at a mesh in wireframe view. They are usually invisible on the rendered image. They are used to construct faces.	Edges
These are used to build the actual surface of the object. They are what you see when you render the mesh. If this area does not contain of it, it will simply be transparent or non-existent in the rendered image.	Faces
In geometry, a this is a direction or line that is perpendicular to something, typically a triangle or surface but can also be relative to a line, a tangent line for a point on a curve, or a tangent plane for a point on a surface.	Normal
A common object type used in a 3D scene is a mesh. Blender comes with a number of these mesh shapes that you can start modeling from. You can also add in Edit Mode at the 3D cursor	Blender Primitives
A doughnut-shaped primitive created by rotating a circle around an axis. The overall dimensions can be defined by two methods.	Torus
A standard sphere is made out of quad faces and a triangle fan at the top and bottom. It can be used for texturing is a UV Sphere	True
The blender defauld mode is the Edit Mode	False
A primitive model that is a single quad face, which is composed of four vertices, four edges, and one face. It is like a piece of paper lying on a table; it is not a three-dimensional object because it is flat and has no thickness. Objects that can be created with planes include floors, tabletops, or mirrors.	Plane
Blender Selection Mode   By holding Shift-LMB when selecting a selection mode, you can enable manySelection Modes at once. This allows you to quickly select Vertices/Edges/Faces, without first having to switch modes.	Multiple Selection Modes
Blender Selection Mode When switching modes in an “ascendant” way (i.e. from simpler to more complex), from Vertices to Edges and from Edges to Faces, the selected parts will still be selected if they form a complete element in the new mode. For example, if all four edges in a face are selected, switching from Edges mode to Faces mode will keep the face selected. All selected parts that do not form a complete set in the new mode will be unselected.	Switching Select Mode
Blender Selection Mode By holding Ctrl when selecting a higher selection mode, all elements touching the current selection will be added, even if the selection does not form a complete higher element. Or contracting the selection when switching to a lower mode	Expand/Contract Selection
Blender Selection Mode setting is not just for shading, it impacts selection too. When enabled, selection isn’t occluded by the objects geometry (as if the object was solid).	X-Ray
Blender mode that allows the selection of Faces, Edges and Vertices	Edit mode
Match the differet type of selection commannd
Selects all the geometry that is not selected, and deselect currently selected components.	Ctrl-I
Select connected edges	Select Loops
This tool selects all edges between two faces forming an angle greater than the angle value, where an increasing angle selects sharper edges.	Select Sharp Edges
None	Alt-A
Selects a random group of vertices, edges, or faces, based on a percentage value	Select Random
Select all.	A
Interactive box selection	B
Select geometry by querying its characteristics	Select All by Trait
Select elements similar to the current selection.	Select Similar
Deselect alternate elements relative to the active item.	Checker Deselect
match the different bleder workspaces ad their purpose
For modification of meshes by sculpting tools	Sculpting
Programming workspace for writing scripts	Scripting
Mapping of image texture coordinates to 3D surfaces	UV Editing
Tools for specifying material properties for rendering.	Shading
Tools for making properties of objects dependent on time.	Animation
Combining and post-processing of images and rendering information.	Compositing
For modification of geometry by modeling tools.	Modeling
Tools for coloring image textures in the 3D View.	Texture Paint
For viewing and analyzing rendering results.	Rendering
Vertex is a collection of interconnected edges	True
Blender includes three render engines with different strengths:
physically based path tracer.	Cycles
is designed for layout, modeling and previews	Workbench
physically based realtime renderer	Eevee
The Sharp flag is used by the split normals and the Edge Split modifier, which are part of the smoothing/customized shading techniques. As seams, it is a property of edges, and these operators set or unset it for selected ones.	Mark Sharp and Clear Sharp
This edge property, a value between (0.0 to 1.0), is used by the Bevel Modifier to control the bevel intensity of the edges. This operator enters an interactive mode (a bit like transform tools), where by moving the mouse (or typing a value with the keyboard) you can set the bevel weight of selected edges. If two or more edges are selected, this operator alters the average weight of the edges.	Adjust Bevel Weight
mode keeps the shape of the selected edge loop the same as one of the edge loops adjacent to it, rather than sliding a percentage along each perpendicular edge.   the tool shows the position along the length of the currently selected edge which is marked in yellow, from the vertex that has an enlarged red marker. Movement of the sliding edge loop is restricted to this length. As you move the mouse the length indicator in the header changes showing where along the length of the edge you are.	Even Mode
This option will create triangular faces from any group of selected edges or vertices, as long as they form one or more complete perimeters.	Fill
ses a pair of connected edge loops or a single, closed edge loop to fill in a grid that follows the surrounding geometry. The best predictable result can be achieved if you select two opposite edge loops with an equal number of vertices. When a single, closed edge loop is selected, the Span/Offset options allows you to adjust the way two opposite edge loops are detected from one closed edge loop	Grid Fill
This takes a selection of faces and solidifies them by extruding them uniformly to give volume to a non-manifold surface. This is also available as a Modifier. After using the tool, you can set the offset distance in the Adjust Last Operation panel.	Solidify
is a post-process effect that diffuses very bright pixels. This mimics lens artifacts of real cameras. This allows a better sense of what the actual intensities of the pixels are.	Bloom
is done as a post-process effect in Eevee. The depth of field effect can be controlled in the camera settings	Depth of Field
This effect mimics real subsurface scattering by blurring the diffuse lighting in screen space.	Subsurface Scattering
Motion blur in Eevee is done by post processing the image after rendering. The motion blur is really basic and just blurs the render results based on pixel velocity	Motion Blur
scattering by evaluating all volume objects inside the view frustumthis it uses several 3D textures which have a high video memory usage. The texture dimensions can be tweaked using the Tile Size and Samples parameters. Object volumes have some limitations	Volumetrics
Eevee uses techniques to properly shadow the light coming directly from light objects this is a texture that stores the nearest occluder from the light position. Eevee also filters the shadow maps in order to smooth out the pixelated appearance	Shadows
Blender’s physically-based path tracer for production rendering. It is designed to provide physically based results out-of-the-box, with artistic control and flexible shading nodes for production needs.	Cycles
Ray types can be divided into four categories:
the ray is generated by a perfectly sharp reflection or transmission	Singular
the ray comes straight from the camera	Camera
he ray is generated by a reflection off a surface	Reflection
the ray is generated by a transmission through a surface	Transmission
the ray is used for (transparent) shadows	Shadow
the ray is generated by a diffuse reflection or transmission (translucency)	Diffuse
the ray is generated by a glossy specular reflection or transmission.	Glossy
These are global settings that apply to all instances of folicle systems. The resolution of the strands is controlled by the step values in particle settings. Each hair system uses the material identified in the particle settings	Hair
This tool allows you to merge all selected vertices to a unique one, dissolving all others. You can choose the location of the surviving vertex in the menu this tool pops up before executing	Merging Vertices
is a useful tool to simplify a mesh by merging the selected vertices that are closer than a specified distance to each other. An alternative way to simplify a mesh is to use the Decimate Modifie	Merging By Distance
Rip creates a “hole” in the mesh by making a copy of selected vertices and edges, still linked to the neighboring non-selected vertices, so that the new edges are borders of the faces on one side, and the old ones, borders of the faces on the other side	Rip Regeion
allows you to map textures directly to the mesh faces. The 3D Viewport shows you the object being textured. If you set the 3D Viewport into Textured viewport shading, you will immediately see any changes	UV Editor
Eevee uses techniques to properly shadow the light coming directly from light objects this  is a texture that stores the nearest occluder from the light position. Eevee also filters the shadow maps in order to smooth out the pixelated appearance	Shadows
is Blender’s realtime render engine built using OpenGL focused on speed and interactivity while achieving the goal of rendering PBR materials can be used interactively in the 3D Viewport but also produce high quality final renders	Eevee
is a post-process effect that diffuses very bright pixels. This mimics lens artifacts of real cameras. This allows a better sense of what the actual intensities of the pixels are.	Bloom
is done as a post-process effect in Eevee. The depth of field effect can be controlled in the camera settings.	Depth of Field